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5 июл. 2022 г. — Representations of the child body in children's illustration and literature: some interpretative categories. June 2017. As an example of this poetic-philosophical lightness, Calvino cites the story from the Decameron of the poet Guido Cavalcanti, Decameron 6.9, told by. Автор: R Abbott · 2020 · Цитируется: 749 — The heaviest black h*** merger detected to date provides evidence for a of 85+21−14 M⊙ and 66+17−18 M⊙ (90% credible intervals).Автор: I Candido · 2017 · Цитируется: 4 — e-ISBN (PDF) 978-3-11-041930-6 within the reader, expectations about the tragic ending of the tales. with prayer, manual labour, meal and sleep. The most expansive essay of the anthology tells the story of six years' of basic research in digital museum practice at. Statens Museum for Kunst. Автор: ST Fleck — One of the central features of Abraham and Torok's work is a constant interchange between literature and psychoanalysis. This is a matter not simply ofNotes on the end of 'Rome Open City' - CentAURcentaur.reading.ac.uk › Leavitt - Notes on tcentaur.reading.ac.uk › Leavitt - Notes on t This contribution reconstructs the history of movable books, books created for a wide range of different purposes (teaching, mnemonics, play, divining, etc.) Day Eight of the Decameron features stories about beffe, practical jokes.1. Lauretta, the queen for the day, proposes the subject: “dico che cias-. To a large degree, these hybrid representations undermine though in these stories, Savinio specifically targets the scientist (and Modern Science),. Автор: C Leavitt · 2018 · Цитируется: 2 — Instead, in drafting the story of the child-partisans Rossellini and his collaborators are thought to have drawn on Ferenc Molnár's 1906 novel The Paul Street