shown by Aragon in 1924—at a time when its development could not yet be foreseen—in his Vague de rêves. Today it can be foreseen. For there is no doubt that the heroic phase, whose catalogue of heroes Aragon left us in that work, is over. There is always, in such movements, a moment Created Date: 3/29/2002 4:38:34 PM Vaclav Paris Abstract This paper looks at the role Louis Aragon's 1926 novel Paris Peasant played in the composition of Walter Benjamin's Arcades Project. 6 January 2014 I have been reading Louis Aragon's early work Le Paysan de Paris (1926) translated into English by Simon Watson Taylor as Paris Peasant (1994). This strange book recounts Aragon's observations of places and spaces of a soon to be demolished Passage de l'Opéra. Paris peasant / by Louis Aragon ; translated and with an introduction by Simon Watson Taylor. Find in NLB Library Creator/Contributor: Aragon,1897-1982. Taylor, Simon Watson. Translation of: Le Paysan de Paris, first published: London : Jonathan Cape, 1971. Identifier: (ISBN)1878972103 (pbk.) (ISBN)9781878972101 (pbk.) (OCoLC)31941553 Wr 279 Paris Peasant Wr 279 Paris Peasant - download.truyenyy.com Louis Aragon, Paris Peasant (Gallimard, 1926) Aragon, one of the people at the core of the dada, and later the surrealist, movements in France, is a fantastic poet, like most of them were. However, I'm finding, as I move out to explore the prose of the Page 13/37 1 Louis Aragon et al., "Declaration of January 27, 1925," in "Famous Manifestoes and Documents," History of Surrealism, ed. Maurice Louis Aragon, Paris Peasant , trans. Simon Watson Taylor (1971; Boston, 1994), xi. Michael W. Cole, Cellini and the Principles of Sculpture. Cam- Keywords: Louis Aragon, urban walk, view, Paris, Paris Pea- sant, surrealism. HALLAGOS ISSN: 17943841 Año 10, N 20 Bogotá, D C Universidad Santo Tomás pp 7589 77 Paris is the most written about city in the world - which makes the task of choosing passages for an anthology both the easiest and the hardest process imagi-nable: there's enough material for half a dozen anthologies, at least. This selec- Louis Aragon, ParisPeasant Afterword to Louis Aragon's Paris Peasant'' and preface for Charles Fourier's Four Movements, we are presented with illuminating reflections on Aragon, Benjamin, Marx, and Luka´cs. In the first, Lenk begins by reflecting on the demise of surrealism, calling it ''obsolete'' and arguing that its works have become